Best Western Movies of 1963
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men, McLintock's own sons and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
Travis, Arliss, and Lisbeth are captured by Apaches while Old Yeller's son, Sam, tracks their trail.
4 for Texas
In the 1870s, two rival businessmen, Zack Thomas and Joe Jarrett, on a stagecoach heading to Galveston, Texas, must pull together to protect $100,000 from an outlaw named Matson. Once in Galveston, however, their rivalry continues, as Thomas joins up with Elya Carlson and Jarret with Maxine Richter. But Matson is still on the loose, and a scheming banker threatens both Thomas and Jarrett.
A cowboy has to get 12,000 dollars in stolen bonds from the ex-girlfriend of his partner, or the gang holding him hostage will kill him.
Gunfight at Comanche Creek
Comanche Creek, Colorado, 1875: Prisoner Jack Mason is broken out of jail by a gang of strangers. They use him in a robbery, then when the dead-or-alive reward is high enough, they shoot him and collect. The National Detective Agency, now knowing the gang's methods, arranges to have agent Bob Gifford jailed in Comanche Creek for train robbery. The gang takes the bait (not before Gifford catches the eye of lovely saloon-keeper Abbie). But how will the bait get off the hook?
A rich landowner of Wyoming fights to prevent the Texas herds from trampling his rich meadows.
The Man from Galveston
Circuit-riding Texas lawyer Timothy Higgins defends a former girlfriend against a murder charge stemming from an extortionist's threat to reveal her shady past. Through adroit courtroom work, Higgins is able to acquit her and reveal who actually shot the fatal bullet.
The Gun Hawk
Gunslinger Rory Calhoun dispenses his own brand of justice in this action-packed Western adventure costarring Rod Cameron and Ruta Lee. It's been three years since gunfighter Blaine Madden (Calhoun) visited his hometown. So when he warns the Sully brothers to stop harassing the town drunk, they shoot the old man dead, not realizing he's Madden's father. Killing them both, Madden is badly wounded by the sheriff (Cameron) but escapes to an outlaw haven where the law fears to tread and prepares what may be his last stand. Written by Jo Heims (Play Misty for Me), The Gun Hawk was the final film directed by Edward Ludwig, whose nearly 50-year career spanned over 100 shorts, TV episodes and features, including the John Wayne hits The Fighting Seabees, Wake of the Red Witch and Big Jim McLain.
Carol Burnett played the title role in a Starlight Theatre (Kansas City MO) production of Calamity Jane which ran 17 – 30 July 1961. Upon Burnett's being signed to an exclusive contract with CBS-TV in the summer of 1962, it was announced that she would headline a televised broadcast of Calamity Jane over the 1962-3 television season: Burnett's Calamity Jane special would in fact not air until the autumn of 1963 after being taped that summer, the time frame permitting Burnett to reprise the title role onstage in a State Fair Music Theater ( Dallas ) production whose two-week run commenced 24 June 1963. On 10 July 1963, Burnett and her castmates from the Dallas stage production - including Art Lund as Wild Bill - performed Calamity Jane at CBS Studio 50 ( NYC ), with the play performed three performances (non stop) before a live audience: CBS-TV taped all three run-throughs, one of which was broadcast as Burnett's debut television special 12 November 1963 .