Best Western Movies of 1950
Lin McAdam rides into town on the trail of Dutch Henry Brown, only to find himself in a shooting competition against him. McAdam wins the prize, a one-in-a-thousand Winchester rifle, but Dutch steals it and leaves town. McAdam follows, intent on settling his old quarrel, while the rifle keeps changing hands and touching a number of lives.
Lt. Col. Kirby Yorke is posted on the Texas frontier to defend settlers against depredations of marauding Apaches. Col. Yorke is under considerable stress by a serious shortage of troops of his command. Tension is added when Yorke's son (whom he hasn't seen in fifteen years), Trooper Jeff Yorke, is one of 18 recruits sent to the regiment.
The fastest gun in the West tries to escape his reputation.
Annie Get Your Gun
This film adaptation of Irving Berlin's classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill's Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like "Anything You Can Do" and "There's No Business Like Show Business."
A New Mexico cattle man and his strong-willed daughter clash over the man's choice for a new bride. Things get worse when the elder man has his daughter's lover hanged. With the help of an old flame, a gambler, the daughter puts into motion a plan to drive her father from his estate.
A Native American Civil War hero returns home to fight for his people.
The Baron of Arizona
The U.S. government recognizes land grants made when the West was under Spanish rule. This inspires James Reavis to forge a chain of historical evidence that makes a foundling girl the Baroness of Arizona. Reavis marries the girl and presses his claim to the entire Arizona territory.
Stars in My Crown
The story of a young pastor coming to a small town in the United States to set up his ministry. The movie tells of the various relationships and struggles he goes through as he goes about raising his family and preaching to the community.
Indian scout Tom Jeffords (James Stewart) is sent out to stem the war between the Whites and Apaches in the late 1870s. He learns (through an uncomfortably close encounter) that the Indians kill only to protect themselves, or out of retaliation for white atrocities.
Two young drifters guide a Mormon wagon train to the San Juan Valley and encounter cutthroats, Indians, geography, and moral challenges on the journey.