Best Tv Movie Movies of 1965

After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rogers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.

The lives and loves of three young working class women, set in the pubs, terraced houses and factories of Battersea, South London.

In this off-beat musical – a satire that combines fantasy, social observation and songs – a working class man goes to put a deposit on a new house only to find he prefers spending to saving and is happy to spend his money on a few hours of happiness rather than a lifetime's conventionality.

Hercules (Gordon Scott) sets out to save the city of Troy from a horrible sea monster. Meanwhile, the city is threatened by a different kind of monster--a smarmy politician who will stop at nothing to seize the throne.

In 2020, after the colonization of the moon, the spaceships Vega, Sirius and Capella are launched from Lunar Station 7. They are to explore Venus under the command of Professor Hartman, but an asteroid collides and explodes Capella. The leader ship Vega stays orbiting and sends the astronauts Kern and Sherman with the robot John to the surface of Venus, but they have problems with communication with Dr. Marsha Evans in Vega. The Sirius lands in Venus and Commander Brendan Lockhart, Andre Ferneau and Hans Walter explore the planet and are attacked by prehistoric animals. They use a vehicle to seek Kern and Sherman while collecting samples from the planet. Meanwhile John helps the two cosmonauts to survive in the hostile land.

A young man, Bert Cates, is arrested in a small Bible Belt town for teaching the theory of Evolution in the public school. Two of the finest legal minds in the U.S. are called to the trial: Henry Drummond for the defense, and Matthew Harrison Brady for the prosecution. The trial proceeds on three levels, the guilt or innocence of Cates, the issue of the Bible vs. Darwin, and finally, the personal confrontation between Drummond and Brady.

Semi-autobiographical TV play by Dennis Potter, from the BBC's 'Wednesday Play' series. It deals with the experiences of Nigel Barton, a young man from a poor mining community who wins a scholarship to Oxford University. The villagers accuse him of snobbery, while the rich University students treat him like a peasant. Uncertain of which sphere he should be moving in, Nigel tries to reconcile himself with his proud but stubborn father, and also succeed at University, despite its pretentions which apall him.

In this look at Charles Lutwidge Dodgson (1832-1898), aka Lewis Carroll, Dennis Potter mixed biographical drama with a psychological profile to explore the roots of Dodgson's creativity. Dodgson tells stories to ten-year-old Alice Liddell, leading to recreations of scenes adapted from ALICE'S ADVENTURES IN WONDERLAND (1865), designed to resemble the original Sir John Tenniel illustrations.

The Cambridge Union Society debates the motion "Has the American Dream Been Achieved at the Expense of the American Negro?" on its 150th anniversary. David Heycock and James Baldwin argue the Affirmative. Jeremy Burford and William F. Buckley argue the Negative.

A documentary-style TV programme made by NBC in which Margaret Rutherford and her husband Stringer Davis visit three so-called haunted mansions.

A television dramatization based on the life and work of Florence Nightingale. The story, set in 1856, relates the incidents in her life following the war in the Crimea, where she had gained such fame that her name was virtually a household word.

Everyone knows the story of Red Riding Hood. But every story has two sides and now the wolf has finally told his. This original musical comedy special, with songs by Jule Styne and Bob Merrill, first aired on November 28, 1965 on ABC.

After being dug up by two archaeologists, the preserved body of a prehistoric man returns to life and wreaks havoc.

Alien "eye" creatures invade a small town in this uncredited remake of "Invasion of the Saucer Men".

The travellers learn from the Time-Space Visualiser taken from the Moroks' museum that Daleks, equipped with their own time machine, are on their trail with orders to exterminate them. They flee in the TARDIS. The chase begins on the desert planet Aridius and takes in a number of stopping-off points, including a spooky haunted house which is actually a futuristic fun-fair attraction.

The Doctor, Vicki, and new companion Steven Taylor arrive in Saxon Northumbria on the eve of the Viking and Norman invasions. It is 1066, a pivotal moment in British history. The hand of a mysterious Monk is at work in the nearby monastery, intending that history takes a different course.

The Doctor, Vicki and Steven arrive on an arid planet where they meet the beautiful Drahvins and the hideous Rills. Each has crash-landed after a confrontation in space. The Rills are friendly, compassionate explorers. The Drahvins are dull-witted, cloned soldiers, terrorised by the intelligent, warlike matriarch Maaga.

When the TARDIS arrives on the plains of Asia Minor not far from the besieged city of Troy, the Doctor is hailed by Achilles as the mighty god Zeus and taken to the Greek camp. He meets Agamemnon and Odysseus. Forced to admit he is a mere mortal — albeit a traveller in space and time — he is given two days to devise a scheme to capture Troy. Steven and Vicki, meanwhile, have been taken prisoner by the Trojans. Vicki, believed to possess supernatural powers, is given two days to banish the Greeks to prove she is not a spy.

Captain Pike is held prisoner and tested by aliens who have the power to project incredibly lifelike illusions. The original pilot episode of the first Star Trek series.

Ken's Loach's first production for The Wednesday Play is a story of a group of criminals planning a robbery, with the unwitting aid of a wealthy, well-connected society acquaintance. But who is the greater villain?

Ken Loach production for The Wednesday Play

The TARDIS jumps a time track and the travellers arrive on the planet Xeros. There they discover their own future selves displayed as exhibits in a museum established as a monument to the galactic conquests of the warlike Morok invaders who now rule the planet. When time shifts back to normal, they realise that they must do everything they can to avert this potential future. Vicki helps the native Xerons obtain arms and revolt against the Moroks. The revolution succeeds and the travellers go on their way, confident that the future has been changed.

The Doctor, Ian and Barbara arrive on the planet Dido. They find a crashed spaceship, the only two survivors of which are terrorised by the monster Koquillion. But who is Koquillion?

Landing in Rome, A.D. 64 the travellers take a rare holiday. While Ian and Barbara are happy to relax, the Doctor and Vicki set off to pursue adventure. However, adventure soon finds Ian and Barbara too as they are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...

On the planet Vortis, the Doctor, Ian, Barbara and Vicki are swept up in the struggles of the butterfly-like Menoptera, the original denizens of Vortis who were forced to flee the planet for the moon Pictos to escape the encroaching web of the Animus and its mind-controlled minions, the ant-like Zarbi and their living weapons, the larvae guns.

The TARDIS arrives in 12th century Palestine where a holy war is in progress between the forces of King Richard the Lionheart and the Saracen ruler Saladin. Barbara is abducted in a Saracen ambush and the Doctor, Ian and Vicki make their way to King Richard's palace in the city of Jaffa.