Best Music Movies of 1930

The queen of mythical Sylvania marries a courtier, who finds his new life unsatisfying.

A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.

Broadway actress leaves New York to become a star in Hollywood, and succeeds despite sleazy directors and her own ego.

Lora Moore, the club champion, loses a golf match to a woman from another golf club. Then Jerry Downs, a handsome golf pro, and his goofy friend, Jack Martin, show up. Lora takes him on as her golf teacher to work on her putt. She falls for him, but so do several other women. Meanwhile Angie Howard, Lora's friend, chases after Jack. A lot of silliness ensues.

Ed Wynn, a waiter, tries to get hit employers daughter a start on the stage; Ginger Rogers replaces Ethel Merman when Merman is kidnapped.

Sally is an orphan who was named by the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing. Working as a waitress, she serves Blair (Alexander Gray), and they both fall for each other, but Blair is engaged to socialite Marcia. Sally is hired to impersonate a famous Russian dancer named Noskerova, but at that engagement, she is found to be a phoney. Undaunted, she proceeds with her life and has a show on Broadway, but she still thinks of Blair.

Betty Boop (with dog's ears) can't sleep on a scary night, so she sings the title song and meets the gentleman in question...a surreal version of Bimbo.

This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors (including Dorothy Arzner, Ernst Lubitsch, Victor Schertzinger and Edmund Goulding). The cast features Clara Bow, Gary Cooper, Fredric March, Jean Arthur, William Powell, Maurice Chevalier, Kay Francis, Buddy Rogers, Jack Oakie, Stuart Erwin and Nancy Carroll.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.