Best Horror Movies of 1934

Based on a 1933 stage production billed as “The Play That Made Broadway Gasp,” it features an over-the-top performance by Mary Morris (repeating her stage role) as a domineering money-bags whose suppressed incestuous urges go into overdrive when her half-brother (Kent Taylor) brings a new bride (Venable) home to the family’s gloomy Fifth Avenue mansion. The title refers to a secret soundproofed chamber that the villainess uses to entrap her enemies. (Gene Siskel Film Center)

Eight people are invited by an unsigned telegram to a penthouse apartment, where they find themselves locked in and greeted by their unknown host's voice via the radio, who explains that before the night is over each one will be die unless they manage to outwit the ninth guest, Death.

A ghostly and deadly dinner party, which at first turns out to be an elaborate staging of a new play for the benefit of a Broadway producer, becomes a true mystery when the players start to go missing.

Chandu consults his crystal ball and sees that Nadji, Princess of Egypt, is in danger. She is about to be sacrificed by the black magic cult of Ubasti. Headed for the magic island of Lemuria, he is shipwrecked , washed ashore and captured. He becomes invisible, escapes and after numerous detours is able to rescue the princess.

Out of the Mystic Temples of Old India crept this terrible Monster to wreak vengeance of the Hindu Gods. One by one its victims fell with not a trace of the bloody assassin.

An ex-vaudeville actor is working as the assistant to a doctor who has Frankenstein aspirations. The ex-vaudeville actor kills the doctor and decides to assume the identity of the dead physician.

Slavko Vorkapich's opening montage for Crime Without Passion (1934).

A young man is driven mad by his obsession with the repulsive diseased eye of the old man who cares for him.

A black voodoo priestess comes out of the Louisians swamps to take revenge on the white plantation owner she believes killed her husband. The old conjure woman Mandy returns with her daughter Chloe to their bayou home after fifteen years. Chloe was too young to remember much about the bayou, but once Mandy had been a famous voodoo priestess in these parts. But after the whites lynched her husband Sam, she took her little girl & moved away into the Everglades. She seems to have gone a little mad in the intervening years & has returned swearing a belated vengeance against the murdering white folks.