Best Horror Movies of 1934
The Black Cat
After a road accident in Hungary, the American honeymooners Joan and Peter and the enigmatic Dr. Werdegast find refuge in the house of the famed architect Hjalmar Poelzig, who shares a dark past with the doctor.
Based on a 1933 stage production billed as “The Play That Made Broadway Gasp,” it features an over-the-top performance by Mary Morris (repeating her stage role) as a domineering money-bags whose suppressed incestuous urges go into overdrive when her half-brother (Kent Taylor) brings a new bride (Venable) home to the family’s gloomy Fifth Avenue mansion. The title refers to a secret soundproofed chamber that the villainess uses to entrap her enemies. (Gene Siskel Film Center)
The 9th Guest
Eight people are invited by an unsigned telegram to a penthouse apartment, where they find themselves locked in and greeted by their unknown host's voice via the radio, who explains that before the night is over each one will be die unless they manage to outwit the ninth guest, Death.
The Headless Horseman
Early color animated short of an adaptation of "The Legend of Sleepy Hollow"
The Ghost Walks
A ghostly and deadly dinner party, which at first turns out to be an elaborate staging of a new play for the benefit of a Broadway producer, becomes a true mystery when the players start to go missing.
The Return of Chandu
Chandu consults his crystal ball and sees that Nadji, Princess of Egypt, is in danger. She is about to be sacrificed by the black magic cult of Ubasti. Headed for the magic island of Lemuria, he is shipwrecked , washed ashore and captured. He becomes invisible, escapes and after numerous detours is able to rescue the princess.
House of Mystery
Out of the Mystic Temples of Old India crept this terrible Monster to wreak vengeance of the Hindu Gods. One by one its victims fell with not a trace of the bloody assassin.
An ex-vaudeville actor is working as the assistant to a doctor who has Frankenstein aspirations. The ex-vaudeville actor kills the doctor and decides to assume the identity of the dead physician.
Slavko Vorkapich's opening montage for Crime Without Passion (1934).
The Tell-Tale Heart
A young man is driven mad by his obsession with the repulsive diseased eye of the old man who cares for him.