Best Drama Movies of 1952
A fading music hall comedian tries to help a despondent ballet dancer learn to walk and to again feel confident about life.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he gathers a posse from among the local townspeople.
The Bad and the Beautiful
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
The Quiet Man
An American man returns to the village of his birth in Ireland, where he finds love and conflict.
The Greatest Show on Earth
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.
During WWII the valet to the British Ambassador to Ankara sells British secrets to the Germans while trying to romance a refugee Polish countess.
Come Back, Little Sheba
A mismatched couple's marital problems come to the surface when the husband develops an interest in their pretty boarder.
The Narrow Margin
A tough cop meets his match when he has to guard a gangster's widow on a tense train ride.
The Importance of Being Earnest
Algernon Moncrieff is surprised to discover that his affluent friend -- whom he knows as "Ernest" -- is actually named Jack Worthing. Jack fabricated his alter ego in order to escape his country estate where he takes care of his charge, Cecily Cardew. Cecily believes that Ernest is Jack's wayward brother and is keen on his raffish lifestyle. Algernon, seeing an opportunity, assumes Ernest's identity and sneaks off to woo Cecily.
Actor Lester Blaine has all but landed the lead in Myra Hudson's new play when Myra vetoes him because, to her, he doesn't look like a "romantic leading man." On a train from New York to San Francisco, Blaine sets out to prove Myra wrong...by romancing her. Is he sincere, or does he have a dark ulterior motive?