Best Documentary Movies of 1968

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club

A Wildlife Safari through Africa.

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.

Rocky Road to Dublin is a 1968 documentary film by Irish-born journalist Peter Lennon and French cinematographer Raoul Coutard, examining the contemporary state of the Republic of Ireland, posing the question, “what do you do with your revolution once you’ve got it?” It argues that Ireland was dominated by cultural isolationism, Gaelic and clerical traditionalism at the time of its making.

Feast Of Friends, filmed in 1968, was the first and only film produced about The Doors by The Doors. It offers a cinematic look at The Doors on the road during their summer 68 tour. While never truly completed, the film provides a stylistic approach in true sixties cinémavérité style. Concert performances are intercut with fly-on-the-wall footage of the group in their natural habitat, sometimes playful, sensitive, chaotic and touching. Other than a few appearances in film festivals in 1968, an official release would never be seen until now. Completely restored from the original negative, as supervised by Jim Morrison, the film has been color corrected and cleaned in high definition with the soundtrack totally remixed and remastered by long-time Doors collaborator Bruce Botnick.

On the border of North and South Vietnam, civilians live underground and cultivate their land in the dead of night, farmers take up arms, and bombs fall like clockwork. Joris Ivens and Marceline Loridan’s record of daily life in one of the most volatile regions of a war-torn, divided country is both a hazardous piece of first-hand journalism and a shattering work in its own right, simmering with barely repressed anger.

Jack is 24, sometimes he's a drag queen named Sabrina. In 1967, as Sabrina, he's the mistress of ceremonies at a national drag queen contest in New York City. The camera goes behind the scenes, recording the rehearsals leading up to the contest, the conversations in the dressing room (about draft boards, sexual identity and sex-change operations, and being a drag queen), and the jealousies that emerge before and after the competition. Jack introduces us to Richard, a young man who becomes Jack's protégé. As Miss Harlow, Richard enters the contest. One of his principal competitors is Miss Crystal, who's from Manhattan. Who will win the crown?

Stéphane Mallarmé is one of the many educational documentaries that Éric Rohmer did for the television during the 1960’s. At the beginning of the film, Rohmer states that he has placed in Mallarmé’s mouth words taken from an interview with the writer by Jules Heuret published in 1891.