Best Documentary Movies of 1900

1.

Scene from the Elevator Ascending Eiffel Tower

2.7
6.0/10 IMDB

“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)

Directed by: James H. White
Release date: 1900-08-21
2.

Kobelkoff

2.6
5.6/10 IMDB

A one minute short in which limbless Nikolai Kobelkoff demonstrates a series of seemingly mundane tasks.

Starring: Nikolai Kobelkoff ..
Release date: 1900-05-21
Best Documentary Movies of 1900 : A Storm at Sea
3.

A Storm at Sea

2.5
5.6/10 IMDB

While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901)

Directed by: James H. White
Release date: 1900-07-31
4.

Panorama of Eiffel Tower

2.5
5.7/10 IMDB

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

Directed by: James H. White
Release date: 1900-01-01
5.

Palace of Electricity

2.4
5.3/10 IMDB

A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.

Directed by: James H. White
Release date: 1900-01-01
6.

Vue prise d'une baleinière en marche

2.3
5.8/10 IMDB

Sailors row a whaling boat in a medium-tight shot.

Release date: 1900-12-15
Best Documentary Movies of 1900 : Solar Eclipse
7.

Solar Eclipse

2.2
6.2/10 IMDB

The magic of a real solar eclipse filmed on 28 May, 1900 by a famous magician, Nevil Maskelyne, while on an expedition by The British Astronomical Association to North Carolina. In 1898 he travelled to India to photograph an eclipse. He succeeded but the film can was stolen on his return journey home.

Directed by: Nevil Maskelyne
Release date: 1900-05-28
Best Documentary Movies of 1900 : Panorama of the Moving Boardwalk
8.

Panorama of the Moving Boardwalk

2.2
4.8/10 IMDB

An early short with a self-explanatory title.

Directed by: James H. White
Release date: 1900-05-21
Best Documentary Movies of 1900 : Panoramic View of the Place de la Concorde
9.

Panoramic View of the Place de la Concorde

2.2
4.8/10 IMDB

Taken from an automobile. This picture was taken during the fashionable driving hour, making a complete circle of the Place de la Concorde, passing hundreds of carriages and busses. The beginning of the picture shows the historical church of the Madeleine in the background, the picture ending by approaching and running under the main entrance to the Paris Exposition.

Directed by: James H. White
Release date: 1900-05-21
Best Documentary Movies of 1900 : Panorama of Place de l'Opéra
10.

Panorama of Place de l'Opéra

2.1
4.7/10 IMDB

James White, the Edison Company's main filmmaker at the time, realized a burst of creativity during his visit to the 1900 Paris Exposition. It's uncertain who his cameraman was for this journey, but historian Charles Musser suggests that it might've been Alfred C. Abadie. In their Paris Exposition films, they introduced tilting (see 'Panorama of Eiffel Tower') and, although panning and panoramas had already been around for a while, they introduced some novel functions for them.

Directed by: James H. White
Release date: 1900-08-21

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