Best Animation Movies of 1972

The Once-ler, a ruined industrialist, tells the tale of his rise to wealth and subsequent fall, as he disregarded the warnings of a wise old forest creature called the Lorax about the environmental destruction caused by his greed.

When Snoopy receives a letter from his original owner Lila, he goes to visit her in the hospital while Charlie Brown and the gang are on the lookout for him. Suddenly, Snoopy feels that he must go live with Lila, but must say goodbye to all his friends. In his adventure to the hospital, he encounters numerous "No Dogs Allowed" signs, an annoying little girl who desires to keep him, and more!

With the school election looming, Linus is talked into running for school president. With Lucy and Charlie Brown as his campaign manager and Snoopy and Woodstock assisting, he stands a decent chance of victory. Soon however, he makes unrealistic promises and learns the hard way that preaching about the Great Pumpkin can not be considered a sound campaign strategy.

A talking squirrel must save the holiday by rescuing a young Pilgrim boy and a young Native American boy that has gone missing in the woods on Thanksgiving day.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

An abstract computer-generated animation set to music by Terry Riley.

Archive film showing possibly the first example of digital rendering, made by Pixar co-founders Ed Catmull and Fred Parke in 1972, was stumbled upon by the son of Robert B Ingebretsen, who also set up the world-famous U.S. studio. A six minute version shows additional CGI animation of an artificial heart valve, and human heads.

Marco Polo Junior Versus the Red Dragon was Australia's first animated feature film,[2] released in 1972 and directed by Eric Porter. The two sequence directors were Porter's animation director Cam Ford (who had previously worked on the Beatles' Yellow Submarine) and Peter Gardiner.