Best Animation Movies of 1972

The Once-ler, a ruined industrialist, tells the tale of his rise to wealth and subsequent fall, as he disregarded the warnings of a wise old forest creature called the Lorax about the environmental destruction caused by his greed.

When Snoopy receives a letter from his original owner Lila, he goes to visit her in the hospital while Charlie Brown and the gang are on the lookout for him. Suddenly, Snoopy feels that he must go live with Lila, but must say goodbye to all his friends. In his adventure to the hospital, he encounters numerous "No Dogs Allowed" signs, an annoying little girl who desires to keep him, and more!

With the school election looming, Linus is talked into running for school president. With Lucy and Charlie Brown as his campaign manager and Snoopy and Woodstock assisting, he stands a decent chance of victory. Soon however, he makes unrealistic promises and learns the hard way that preaching about the Great Pumpkin can not be considered a sound campaign strategy.

After being hunted to near-extinction, the last male Eskimo curlew searches for a mate while making the annual migration from the arctic tundra to the nesting grounds in Argentina.

A talking squirrel must save the holiday by rescuing a young Pilgrim boy and a young Native American boy that has gone missing in the woods on Thanksgiving day.

Scooby-Doo Meets Batman is a video compilation from Warner Bros. Home Entertainment. It consists of two episodes from Hanna-Barbera's The New Scooby-Doo Movies, "The Dynamic Scooby Doo Affair" and "The Caped Crusader Caper", where Scooby-Doo and the gang team up with Batman and Robin to capture Joker and the Penguin.

Japanese Beetle helps the lonely Blue Racer make friends with humans. Beetle tries everything from making him a pet who can sing and do tricks, disguising him as a dog, and joining a hippie parade. However, all plans fail.

An abstract computer-generated animation set to music by Terry Riley.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.