Best Animation Movies of 1953
Leaving the safety of their nursery behind, Wendy, Michael and John follow Peter Pan to a magical world where childhood lasts forever. But while in Neverland, the kids must face Captain Hook and foil his attempts to get rid of Peter for good.
Duck Dodgers in the 24½th Century
Space hero Daffy battles Marvin the Martian for control of Planet X.
Don't Give Up the Sheep
A sheepdog thwarts the efforts of a thieving wolf whose tricks include altering the time clock, hiding in a bush, imitating Pan, digging a tunnel, unleashing a wildcat and disguising himself as the dog's coworker.
Bully for Bugs
Bugs Bunny once again making that "wrong turn at Albuquerque" burrows into a bullring, where a magnificent bull is making short work of a toreador. The bull bucks Bugs out of the arena, prompting the bunny to declare "Of course you realize, this means war!" The deft Bugs' arsenal comes plenty packed, as he uses anvils, well-placed face slaps and the bull's horns as a slingshot. The bull fights back, using his horns as a shotgun barrel. The bull's comeback is short-lived; just after Bugs makes out his will, he lures the bull out of the arena, just in time to set up a rube-like device that leads to the bull's defeat.
The Tell-Tale Heart
One of the most discussed and imaginative cartoons of any era. It tells the famous Edgar Allan Poe story of the deranged boarder who had to kill his landlord, not for greed, but because he possessed an "evil eye." The killer is never seen but his presence is felt by the use light-and-shadow to give the impression of impending disaster.
Toot, Whistle, Plunk and Boom
In this short subject (which mostly represents a departure from Disney's traditional approach to animation), a stuffy owl teacher lectures his feathered flock on the origins of Western musical instruments. Starting with cavepeople, whose crude implements could only "toot, whistle, plunk and boom," the owl explains how these beginnings led to the development of the four basic types of Western musical instruments: brass, woodwinds, strings, and percussion.
At the home of Viennese composer Johann Strauss, lived Johann Mouse. Whenever the composer played his waltzes, the mouse would dance to the music, unable to control himself. One day, when Strauss was away, the housecat played his master's music. This forced the mouse to dance, providing the cat with a chance to pounce on him. When word got out about a piano-playing cat and a dancing mouse, they were commanded to perform for the emperor.
The Spirit of Christmas
This Christmas film, created as a special for television broadcast throughout the Philadelphia, Pennsylvania viewing region, was produced by puppeteer Mabel Beaton and her husband Les for Bell Telephone Company and first aired in 1953. Following a short live-action opening portion, featured are two extended marionette segments, the first dramatizing Clement Moore's "A Visit from St. Nicholas", the second reverently telling the Nativity story; the two stories are staged in classic, traditional style. From 1953 onward, for several years, The Spirit of Christmas was broadcast in the intended region multiple times per holiday season. It was also available as a 16mm film licensed to schools for showings to students. This film often is misstated to have originally been broadcast in 1950.
Kiss Me Cat
Marc Antony must convince his owner that Pussyfoot is a great mouser to keep him in the house.
The Three Little Pups
Droopy and his dopey brothers, Snoopy and Loopy, reenact the story of the Three Little Pigs as the big bad wolf, a dogcatcher with a southern accent, tries to find a way to get the dogs out of their house of bricks.